With amazing low-light dual-base ISO, the eye-capturing S-Cinetone, impressive AF, and an easy to use menu, the FX9 is a valuable purchase for DPs everywhere. Get Instant Access! This makes it a little tricky to do a side-by-side, but Potato Jet has done his best to zoom-to-match in this comparison. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. The quality differences in recording quality between the FX9 and FX6 are less distinct, however, but let’s get to this a little bit later. Sony is kicking off the 2019 International Broadcasting Convention (IBC) with exciting new additions to the brand's full-frame cinema lineup. Sony FX9 First Look with Philip Bloom “Sony’s PXW-FX9, whilst it isn’t officially a replacement for the FS7 and FS7 II, it is clearly the successor to these hugely popular cameras. The Canon C500 Mark IIis definitely more expensive on paper. If you’ve had a chance to shoot with the new FX9, let us know below what your thoughts are. It is above the FS7 for a few reasons, but in a direct comparison the full-frame sensor can deliver greater image quality and still provide all the Super 35mm options you want. âI would like to see the LUT options menu improved right away,â DP Joe Lipari said. A huge difference between the FS7 series and FX9 is that FX9 has a very acceptable autofocus that has been added to Sony’s cinematic camera for the first time. Having now been on the market for over half a year, several of our Crews Control DPâs have tried out this new camera on corporate video shoots. Canon has outfitted the C300III with a Super 35mm image sensor whereas Sony went big with a full-frame imager. Sony PXW-FX9: 6K Ready. Any Country. Sony FX9 vs a7S III – Which is Right for You? Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. However, updates (the Mark IIs) for both had lackluster responses. However, all these options are relevant only if you have Sony’s external recorder plus a specific license (required in some cases). The a7S III has better options with similar bitrates, putting it weirdly ahead. Panasonic GH5 Can Record in 10bit 4:2:2 But What Does This Mean? Of course, at being out for less than a year, this camera does have its downfalls. Both the Sony FX9 and Canon C300 Mark III are proven swiss army knives in the world of solo shooter filmmaking. Like for many other shooters who shoot a lot of “cinematic” looking documentary and corporate content, the Sony FS7 has been my main camera for the past 5 years. The handgrip that comes with Sony FX9 is very similar to the version from the Sony FS7; however, these handgrips are not interchangeable. Whilst the FX9 is essentially a full frame version of the FS7 (with other improvements and additions of course), the C500 Mark II is a completely different beast to the C500 Mark I and perhaps should have been named something completely new to set itself apart from the original that was a bit of a commercial flop. The two most exiting camera just announced – Canon EOS C500 Mark II and Sony PXW-FX9! With Sony’s latest and greatest mirrorless releases of the a7R II and a7S II, this line has been blurred even more, and this is the reason we set out to determine if these supposedly lower-end 4K video-recording options can hold up when put side by side with one of Sony’s professional 4K video cameras, the FS7. Despite these flaws, the FX9 appears to be the new favorite among Sonyâs cameras.Â While right now may not be the best time to invest in a new camera (considering the starting price is $10,999 for the camera body, or $13,499 in a kit), the FX9 is believed to be a step above the FS7. We've got everything else covered. Upon releasing that article out to you, Sony announced its newest addition to the Sony family: the Sony FX9. Might as well start with the most obvious of differences: the physical design. Why would you ever need something like the FX9 when the much more affordable a7S III is out? The FS7 and FX9 implement the E mount with a locking collar, which is much stronger than the flange used on the FS5 and Alpha cameras. Now international lockdowns are being enforced and almost all on-location video productions have been postponed. eval(ez_write_tag([[250,250],'4kshooters_net-leader-1','ezslot_9',147,'0','0']));Then there is a lot of undefined quality from the FX9 footage, such as pleasing highly roll-off and natural skin tones, that just do make a difference to filmmakers. eval(ez_write_tag([[580,400],'4kshooters_net-box-4','ezslot_5',144,'0','0']));For Black, the short answer to the question of whether he regrets his FX9 purchase is simple: there’s a lot to like about the FX9. I mean there is the obvious in that the FX9 has a different cinema-centric design with lots of buttons and controls and dials, but Black points out that one of the most important differences is the integrated variable ND filter. Actually, I bought a second one a few years after the first one, because there was so much demand on shoots. G-Master Series: Along with the S-Cinetone, the E-mount lens works great, and the G series lenses work even better now that the G-Master (GM) series will follow. Fx9 has a Fast Hybrid AF with 561 focus points covering 94% in the horizontal and 96% in the vertical while in full-frame mode. Low-light performance is where the a7S III wins. It has just recently announced the successor to the already popular FS7, and its called the PXW-FX9.The FX9 has been crafted using elements from both the Sony Venice and the Sony … The new Sony FX9 takes the FS7’s body, but turns it into an Olympic athlete in the Sony camera line. Sony FX9 vs. FS7. It's tiny compared to the FS7 and at under a kilo, it's incredibly light. I have collected the currently available specification information in o… We estimate it will take several more months, if not years, for the FX9 to beat the FS7 in our monthly camera usage reports. The FX9 does have S-Cinetone and that has been considering Sony’s best when it comes to color science. Your everyday shooter will love the a7S III. That is certainly something you need to think about. The GM series seems to have the greatest AF showing, but these lenses come at a steep cost at around $2,000. Sony has announced some big products this year at the IBC. If you’re using cine lenses or heavier zoom lenses then definitely yes. Last year we shared how the Sony FS7Â has continued to reign supreme on our camera usage reports for the past three years. Sony FX9 – Based on the FS7’s Success. Going deeper into what makes the FX9 better is in how it is positioned in Sony’s lineup. Crews Control, Inc. Headquarters 11820 West Market Place, Suite L Fulton, MD 20759. Yet the FX9 gives this leading camera a run for its money. And it’s called the Sony FX9.Designed with the best technologies from the VENICE and A9, the new FS9 has roughly … âThe S-Cinetone built-in look of the camera is awesome right out of the box,â DP Ted Yasi said.Â “The color science that they are using on the FX9 is light years ahead of what was employed in the FS7.”. If I were to change something about the Sony FX9, it would be the extension arm for the handgrip. If you are an indie filmmaker you can take the same money you would’ve spent on an FX9 and bought two a7S IIIs with plenty of cash left over for accessories, other equipment, or to invest in your next film. **Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. Regardless of location, we have the perfect video crew for you! eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_6',143,'0','0']));Sony certainly surprised us all with just how good the a7S III turned out to be. Color is similar, with S-Log3 providing excellent flexibility and dynamic range. “Definitely love the super-fast and accurate Fast Hybrid Auto-Focus when using the Sony G-Master series lenses â it really works!” DP Mike Audick said. It is a game changer in 4K, where critical focus is absolutely necessary- and unforgiving.â, Face Priority/Face Only Mode: One of the most advance additions to this camera is the facial tracking option.Â There are face priority and face only modes, which are useful when you know you want the camera to focus on people. Hard times. CEO interview in Caracas? Unlike the FS7, the FX9 shoots full-frame with a 6K sensor and has, what some say, the best facial-focus and most accurate, lifelike colors you can lay your eyes on. Save my name, email, and website in this browser for the next time I comment. - Sony XQD Media with SXS Express Adapter $4.40 per GB. The FX9 with XDCA-FX9 joins the existing Sony RAW capable line-up of FS7, FS7 II, FS5, and FS5 II, which all work with the Shogun 7 to record in ProRes RAW. For autofocus both cameras have solid AF performance. Today, the company has announced the new Sony PXW-FX9 and the FE C 16-35mm T3.1 G wide angle zoom cinema lens, unleashing the powers of your full-frame creativity. However, the FX9’s higher resolution provides generally better footage, plus there are all the usability points that don’t fit nicely in a head-to-head comparison. It is above the FS7 for a few reasons, but in a direct comparison the full-frame sensor can deliver greater image quality and still provide all the Super 35mm options you want. There also might be a dual gain feature at ISO 16,000. The FS5 is, by Sony's on definition, a Grab and Shoot Handheld system. When Sony introduced the PXW-FX9, they were marketing it as a new camera in the Cine Alta line, and not necessarily as a replacement to the FS7, which is one of the most successful large sensor cameras in Sony history. The Imageeval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_7',145,'0','0'])); Perhaps one of the most surprising comparisons has to come with the image quality and features. Your email address will not be published. Although the FX9 came out in September 2019, it wasnât until February 2020 that the new camera hit the top 10 of our monthly camera usage report: Previous data collected from our camera usage reports from 2014 shows that the FS7 didnât make it into the top 10 of our most used cameras until April 2015, six months after its release. How Different Industries Utilize Training Videos, The Changing Role of the Traveling Producer, White Balance Exposure Mode is automatic, custom, preset or manual, External 16-bit RAW recording with add-on unit, 10-bit S35 4K at 120fps to an external recorder. Filmmaker Austin Black is a recent FX9 owner and he had to ask himself, “Do I regret buying the FX9?” Now, these two cameras are still very different, but is there enough to justify the FX9’s much higher price tag? Currently with the FX9, you cannot load a LUT into the camera, but they can be used in post. The enhanced Fast Hybrid AF system includes customizable AF transition speeds and sensitivity settings. âI have never owned a camera that I have used auto-focus on, but I use it on this camera!â Yasi said. I think Sony have been pretty clever with the design as … It’s not quite all that different in practice it seems. Think about it this way. Here are some FX9 favorite features from our crews: S-Cinetone: The S-Cinetone is a game-changer when it comes to more appealing skin tones and a greater cinematic look for color gradation with a smoother pallet.Â Â The S-Cinetone delivers super accurate skin tones that are a more accurate representation of what is in front of the camera, and more pleasing to the eye. Your email address will not be published. FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E … Website Designed by Home & Built by MVMG. The FS7 has been the leading champion among most filmmakers and a great bang for the buck. Starting with formats, the FX9 has professional formats like XAVC-I while the a7S III uses up to XAVC S-I. Based on just these points it could be easy to declare the a7S III the winner. Totally helps out when shooting an interview.”. Sony FX9 with XDCA extension unit The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. The use of the Sony E-Mount means you can add low cost Sony power zoom lenses or control Canon lens apertures via low cost and compact adapters, this is much harder (and more expensive) on the F5 and F55. Their 35.7 x 18.8 mm sensor is also equipped with fifteen stops of dynamic range. It has incredibly low noise imagery, which is kind of the original point of the S series. But Sony has given the FX9 many improvements over the FS7 that could significantly impact video productions. Well, the answer is the follow up to the popular FS7 line. DaVinci Resolve 17 + M1 Macs – Can You Edit 8K RAW in Real-Time? At 800 ISO the FX9 is just a little bit better again. At it’s most basic, the FX9 is the reliable workhorse camera that will most definitely get the job done. Any Time! Recording options for frame rate show where its 12MP sensor shines, as it has full-frame 4K recording up to 120p, while the FX9 is limited to Super 35mm for getting 4K 60p. The FS7 had five years of exceptional success and fandom. Of course, this was before the global pandemic COVID-19 shook up the world and media industry. Unlike the FS7, the Sony FX9 shoots full frame, and in *6k. FX9’s buttons, dials and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability. Not Quite 24fps: A surprising aspect of this new camera is that the fps canât make it to 24fps, while a standard iPhone can. âThe new FX9 camera will do 23.98fps, but not true 24fps,” DP Jeff Granberry said. From the Venice, the FX9 has inherited dual-base ISO technology, meaning the FX9 can switch between shooting modes with an ISO of 800 or 4000. It offers some advantages such as faster frame rates and a smaller form factor. Bolt Productions has quality FS7 Accessories rentals for all your production requirements, featuring the Sony FS7 Extension Unit. Perhaps this is the standard for gradual pick-up for new cameras in our industry, but it is still worth noting. The closest competitor to this camera when first announced was Sony's own F5, which strangely enough at the time did not even have 4k internal recording, yet the camera body alone started at $15,999.99. The FS7 boasts internal 4k UHD 10bit 422 up to 60fps, and up to 180fps 1080p in 10bit 422. It depends on the lenses you are going to use it with. Black compares both to help himself and everyone else figure out which is the right camera for them. LUTs: The in-camera LUTs still have some limitations. Sony has made something even better than the FS7. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! If you’re just using Canon still lenses then probably not. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. Required fields are marked *. LEARN MORE This camera is … The first thing that strikes you is the size and weight. It’s great to add the Sony FX9 to the large and expanding ProRes RAW family. The Sony FX9 version uses an entirely different connector for the cord to the camera. ** *BP-U30 and XDCA-FS7 are not compatible with the FX9. Right off the bat, the FX9 is following suit with the FS7. The FS5 really was a specced-down version of the FS7, with a weaker codec. Having things like XLR inputs, multiple audio channels, SDI output, etc. Rent it at affordable daily and weekly rates today The Dual Base ISO for day or night shots is also a favorite feature for many DPs.Â Here are some of the other features of the FX9: There are many similarities between the two cameras, like the dual XQD cards and XAVC-I codecs. âIâve now shot over 20 projects with the new FX9 camera and I am totally enjoying it,” DP Michel Bisson said. FX9’s buttons, dials, and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability. The FX9 follows the same pattern. Canon sells the following two adapters, both with shim kits: 1. The FX6 looks like a mini version of the FX9, and it’s easy to compare the two to the Sony FS7 and FS5. Sony plans to update the exclusive 16:9 ratio later to include: UHD … Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. The original Canon C300 was a spectacular success for Canon, and the FS7 was a spectacular success for Sony. But with the world and industry changing so quickly, who knows? ** *BP-U30 and XDCA-FS7 are not compatible with the FX9. You bring the vision. It is similar between the two. Aspect Ratios. The built-in ND filter makes it so you need fewer accessories to get shooting and makes a much better shooting experience. If you need to find the best video production camera crews in the business, anywhere on the planet, with specialist skills, but very little notice â then give us a call. And if you’re a producer hoping to try out this new gear when video shooting resumes, reach out to us here at Crews Control to get started. Many DPâs are enjoying the new features of the FX9 that are absent on the FS7, but there are definitely some parts where the FX9 is lacking.Â Several cool features also won’t be available with this camera until the first firmware update- which has not happened yet. Drama in Dallas? Now, if you already have an FX9 the a7S III is a perfect companion. The biggest difference between the Canon C300 Mark III and the Sony FX9 is the sensor size. Whatever you need, we've got the perfect crew for the job. Which one to choose? Should you opt for a locking mount? Last year we shared how the Sony FS7 has continued to reign supreme on our camera usage reports for the past three years. The a7S III is still closer to a generic mirrorless camera in color science. You can think of the FX9 as a hybridized version of the FS7, the upmarket Venice digital cinema camera, and Sony’s Alpha series of DSLM cameras. After seeing the specs of internal 4K up to 120 fps in 10-bit and a variety of new recording formats it looked almost too good to be true. Highlights and Shadows DJI RS 2 and RSC 2 Get 3D Focus System Support, Remote Control for Various Cameras and More. Three Easy Creative In-Camera Tricks You Can Do Right Away, Sony VENICE Firmware 6.00 to Be Released on Dec 15th. When using Power Zoom (PZ) lenses you can smoothly zoom in and out during recording. Perhaps one of the most striking differences in image quality between the FS7 and the FX9 is the lack of noise.